Andrei Tarkovsky, Aleksandr Gordon, Marika Beiku, 1956. Between 1962 and 1986, Andrei Tarkovsky directed a mere seven feature films, and every single one of them was greeted as a major work. Solaris, considered one of the greatest films in the history of cinema, marked a significant change in the approach to the genre of science fiction. “Soon after graduating, I entered the production group led by Grigory Alexandorov at the Mosfilm studio, and a group people who had seen The Steamroller, recommended that I should pick up the original book of Ivan’s Childhood. That’s why for me what’s important is not so much the path but the moment at which a man enters it enters any path.”, He added, “In Stalker, for example, the Stalker himself is perhaps not so important to me, much more important is the Writer who went to the Zone as a cynic, just a pragmatist, and returned as a man who speaks of human dignity, who realised he was not a good man. Seeing how events affect one man in the midst of a potential global crisis, and in the process leading to a controversial view of how man should relate with God, Tarkovsky created an ambivalent masterpiece that remains underrated till this day. “What are Andrei Tarkovsky’s Best Movies?” We looked at all of Tarkovsky’s directed filmography and ranked them against one another to answer that very question! “And each individual fragment is coloured so to speak with a common meaning by the entire whole. Notably for hardly featuring the titular character at all, it concerns the creation of a bell for the grand prince, lead by a tenacious young bell-maker’s son who ironically knows little about how to do so. Tarkovsky. In the end it comes down to personal preference, although, one might say that the most appraised film he has ever release was The Mirror. After Stalker, Solaris is undoubtedly rockstar director Andrei Tarkovsky’s best known movie. It concerns a psychologist who goes to a space station in order to find out what has happened to the people on board, only for a duplicate of his late wife — who committed suicide— to be created by the alien planet they are circling. Because time is nevertheless reversible.”. This theme is extended in the film’s long philosophical conversations, with the characters constantly going back and forth on what they think this place may be. “Poetry is an awareness of the world, a particular way of relating to reality.” – Andrei Tarkovsky. Tarkovsky’s last addition to his filmography came out just a few months before his death in 1986. Privacy Policy (http://www.tasteofcinema.com/privacy-notice-and-cookies/) Theme by, Taste of Cinema - Movie Reviews and Classic Movie Lists, All 7 Andrei Tarkovsky Movies Ranked From Great To Greatest, Taste of Cinema – Movie Reviews and Classic Movie Lists, All 21 David Cronenberg Movies Ranked From Worst To Best. A hired guide, the Stalker of the title leads a writer and a scientist into the heart of the zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumoured to fulfil one’s most deeply held desires.” In Sculpting in Time, Tarkovsky’s book about his own films and the role of art and cinema, he describes Luis Buñuel as “the bearer, above all else, of poetic consciousness”, and placed Nazarín at number three in his 1972 list of the ten greatest films ever made. Life is considered here at every single spectrum, from the horrors of war to the wonder of children. Famous for never showing the famous icon painter at work, Andrei Rublev instead seeks to understand the soul of an artist through the way that he lives his life. The Japanese are organising some sort of relief fund as well, only they find it impossible to understand how such a famous director can be so poor.”. 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