Rashid takes American historical narratives, scrambles them, then reimagines them in paintings that take on issues such as colonization, war and the building of empires. On Sunday, the late “Black Panther” star will be awarded the Hero for the Ages honor during the “MTV Movie & TV Awards: Greatest of All Time” special. Mely Barragán is an artist working on the Mexico-US border. In 1972, the photographer reported a story about the Tarahumara runners of the High Sierras of Chihuahua. Painstakingly compiled through government records requests, the central work is a sound installation in which viewers can employ the installed turntables to play audio from police killings. An image by Gina Clyne at the Annenberg Space for Photography. Hace más de un año. 901 E. 3rd St., downtown Los Angeles, hauserwirth.com. ... Manifesting the Terrestrial Paradise continues at Armory Center for the Arts … 2766 S. La Cienega Blvd., Culver City, kopeikingallery.com. Rodney McMillian, “Brown: Videos from the Black Show,” at the Underground Museum. 1062 N. Orange Grove Ave., West Hollywood, matthewmarks.com. Dana Nachman’s “Dear Santa” documentary offers a behind-the-scenes look at the USPS’ century-old Operation Santa program. “Apariciones / Apparitions,” 2018, by Carolina Caycedo, at the Vincent Price Art Museum. It is the mannerist object on Instagram. In his work, he touches on queer sexuality, colonialism and the deadly ravages of the AIDS crisis — and all the in-between pieces of life that have to do with love, sex and death. Through Feb. 23. Through Oct. 20. The late artist was born in Indianapolis but settled in Los Angeles in the ‘60s, near the port of San Pedro. “Guatemalan Masks: Selections from the Jim and Jeanne Pieper Collection” at the Fowler Museum. Artista y educadora Hillary Mushkin moderará un panel de discusión relacionado con su proyecto en curso de el mismo tÃtulo. Sayre Gomez, “X-Scapes,” at François Ghebaly. Situations that are kind of weird (a nude couple sucking on lemons) and backdrops that are slightly oversaturated (patterned wallpaper straight out of the ’70s) — those are some of the settings for Krifka’s stylized figures. The show is part of an ongoing effort at the Tom & Ethel Bradley Center at Cal State Northridge to digitize their photographic collection, which places an emphasis on underrepresented communities. The move follows other lawsuits against Netflix related to executive poaching. But the pictures generated controversy there, where Parks was criticized for creating poverty porn. The New York artist takes tropes of femininity and picks them apart on canvas, reimagining the sensual poses of advertising and imagining the physical embodiments of virtual assistants such as Siri and Alexa. presented by Kristine Schomaker. Through Nov. 3. 4633 Hollywood Blvd., Los Feliz, laluzdejesus.com. As the title implies, the show also examines the fraught nature of mothering. Ruby Osorio’s “Beware the Armor of Worthy Advice,” 2007, from an exhibition about women artists at El Nopal Press at Cal State Long Beach. Colson takes elements of modern life and renders them in absurd ways — a painted taxonomy of pillows, for example. This includes installations by Carolina Caycedo, Daniel Duford, Ximena Garrido-Lecca, Mulyana, Robert Zhao Renhui and Yang Yongliang. But rather than present these as objects of utility, Zaki is interested, primarily, in their sculptural qualities. The show, organized in collaboration with France Los Angeles Exchange, includes works by Carmen Argote, Beatriz Cortez, Candice Lin, Eddie Aparicio and many others. “Visualizing the People’s History: Richard Cross’s Images of the Central American Liberation Wars,” at the Museum of Social Justice. Bendix Building, 1206 Maple Ave., #1005, downtown Los Angeles, track16.com. ; Courtesy the artist. This exhibition creates pairings of two types of vessels: broken ceramic containers and the undulating concrete skateparks that dot the California landscape. Photojournalist Richard Cross was only 33 years old when his car struck a landmine in Honduras and both he and a fellow journalist — Dial Torgerson, then Mexico bureau chief of the Los Angeles Times — were instantly killed. An installation view of “The Last Supper,” 2000-present, by Julie Green. 17985 Pacific Coast Highway, Pacific Palisades, getty.edu. 10808 Culver Blvd., Culver City, wendemuseum.org. 1200 Getty Center Dr., Brentwood, Los Angeles, getty.edu. [link] 8.16.19 LA Weekly. at the American Museum of Ceramic Art in Pomona. Pamela Smith Hudson, “Marking Space,” at Chimento Contemporary. Invited speakers are Ian Philbaum, Program Director of Innovation Law Lab and Lilian Serrano, Coordinator of Alianza Communitaria and Research Coordinator for the National Latino Research Center, California State San Marcos. 1200 Getty Center Drive, Brentwood, Los Angeles, getty.edu. Casa 0101 Theater, 2102 1st Street, Boyle Heights, Los Angeles, casa0101.org. Through Oct. 26. Additional closures of California businesses and activities will be based on projections of regional intensive care unit capacity. The 2018-2020 Mexicali Biennial takes the mythical origins of California as instigation and theme. Immeke Mitscherlich-Schwollmann, “Weaving Sample for a Wall Hanging,” ca. The Biennial itself was founded in 2006 by artists Ed Gomez and Luis G. Hernandez, designed as a way to critique regional biennials worldwide. Collages with a retro feel incorporate bits of found imagery, drawing, needlepoint and drawing. These are inspired by tales from the northern region of Tohoku, such as the story of Namahage, a deity that frightens misbehaving children, or Shishi-Odori, a dance in which participants mimic beasts as part of beckoning a good harvest. 399 N. Garey Ave., Pomona, amoca.org. Costa Mesa, orangecoastcollege.edu. Chris Hood, “Para,” at Praz Delavallade. State III: Women Artists in Conversation With El Nopal Press,” at the Kleefeld Contemporary Art Museum. This event will be followed by an activity led by Orange County-based librarian David Lopez. Now “American Monument” is back on view at UCI, ready to be seen and heard in full. The influential artist is know for creating works out of modest materials — old shoes, racks of books, old bottles — that touch on heady topics: the vagaries of race, sexuality, gender and dominance. pin. 6522 Hollywood Blvd., Hollywood, welcometolace.org. J.A. This exhibition features some of these artistic ensembles, aspects of which evoke the body and nod playfully to BDSM. “Marks From Birth,” 2018, by Carmen Argote, part of “Paroxysm of Sublime” at LACE. 2685 S. La Cienega Blvd., Culver City, luisdejesus.com. The artist’s adult-sized gingerbread house in one of the galleries will likely generate all manner of chatter, but the poignant works of video, assemblage and drawing will be worth marinading in too. UC Irvine, 712 Arts Plaza, Irvine, beallcenter.uci.edu. Sonido Apokalitzin, Below the Underground Renegade Art & Action in 1990s Mexico… This survey exhibition examines the four-decade career of Bradley (Chippewa), who is known for producing vibrant, figurative paintings inspired by the Native experience — while also wryly poking at stereotypes and Hollywood tropes. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org. This exhibition presents some of the most spectacular archeological finds from the site — including bronzes, marble statuary and objects from the library of papyrus scrolls that give the villa its name. Feng, “Mothership,” Greg Colson, “Trending and Non-Trending,” and Laura Forman, “New Work,” at Craig Krull Gallery. 1 (2018); Single channel video, color, sound; 10 mins, 45 sec, Courtesy of the artist and the MexiCali Biennial. Nathaniel Mary Quinn, “Hollow and Cut,” at Gagosian. Ceramic tiles by Elyse Pignolet wryly tackle themes connected with women — part of the artist’s solo show “You Should Calm Down” at Track 16 gallery, on view from Sept. 7, 2019 to Nov. 2, 2019. Through Jan. 26. Theaster Gates, “Line Drawing for Shirt and Cloak,” at Regen Projects. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org. 2,” 2013, a digital C-print by Phan Quang, from the group exhibition “Where the Sea Remembers” at the Mistake Room. Drag performer Isabella Xochitl will read excerpts from the childrenâs book California the Magic Island by Doug Hansen for an all-ages audience. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org. Oct 6, 2019 - Jan 12, 2020. The MexiCali Biennial is a bi-national arts organization that explores the area of the California/Mexico border as a site for aesthetic production. Here, California doesnât end or begin at a border wall. It has been the year of Bauhaus — marking the 100th anniversary of the globally influential art and design school that occupied locations in Berlin, Weimar and Dessau and then famously closed under pressure by the Nazis. Through Nov. 14. Through Dec. 8. ; Courtesy of the artist. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org. Food is the sort of topic that can be linked to bounty, to desire and to literal hunger. Exactly a century ago, Henry and Arabella Huntington signed the trust document that established the Huntington Library in San Marino. This premise serves as the basis of Lutker’s show, which presents a series of sculptures in reflective cut steel inspired by shapes from the artist’s archive of surrealist ephemera. “Every Living Thing: Animals in Japanese Art,” at the Los Angeles County Museum of Art. Meyers, who is based in Berlin, is turning the museum into a stage in which an ensemble performs a repertoire of musical works composed by the artist and others. “W|alls: Defend, Divide and the Divine” at the Annenberg Space for Photography. On long-term view, Hinkley, Calif., desertlighthouse.org. Activision Blizzard sued Netflix for poaching its CFO Spencer Neumann in 2018, two years before his fixed contract was scheduled to end. Inspired by trompe l’oeil and filmic set painting, Gomez uses a multitude of techniques to stitch together disparate aspects of the Los Angeles landscape in ways that channel the hyperreal. Mely Barragán is an artist working on the Mexico-US border. Its exhibitions appear on both sides of the California/Mexico border through partnerships with arts institutions to showcase both emerging and established artists working in all media. The piece even features a light to guide travelers through this rugged landscape. As part of a project that was jointly curated by VPAM and the Huntington Library, Art Collections and Botanical Gardens, Caycedo spent time at the Huntington making a work that responded to the museum collection: a collaborative dance piece with choreographer Marina Magalhães that was inspired by indigenous and African dance practices and which, in many ways, responds to the issues of colonization raised by the entire Huntington enterprise. Este taller invita a los participantes a imaginar los impactos de la colonización y examinar cómo funciona el colonialismo para romper y dividir a las comunidades indÃgenas. Here, California doesnât end or begin at a border wall. “Bienal de MexiCali 2018: CALAFIA, California, USA” by Arden Decker. The Santa Ana arts center has several exhibitions on view. “Coyote on the Streets,” 1994, by Harry Fonseca at the Autry. Newsom orders new limits on California businesses and activities as COVID-19 soars. She’s now five weeks sober. South Coast Plaza Village, 1661 W. Sunflower Ave., Santa Ana, ocmaexpand.org. 10.27.18 Terremoto. Her process is inspired, in part, by the rhythmic aspect of music, including jazz and punk. The Armijos, a Mexican American family, have been Spanish, then Mexican and now United States citizens, all while never leaving the state. Ziascope is a film by Nikki Darling and Dean Erdmann that is part of a larger, ongoing project dealing with the history of Northern New Mexico via the entryway of Darlingâs matrilineal family. Featuring projects from contemporary artists on both sides of the border, the exhibition weaves urgent questions about feminism, indigenous rights, gentrification and displacement, misogyny, post-colonialism, and resistance movements into and through the current and historical political climate of the region. Themes include the more quotidian aspects of the landscape: strip mall signage and cell towers. As in other iterations of the biennial, there will be more to the show than the exhibition at the Armory Center, with satellite programming in Calexico, Mexicali and Tijuana… More than a year ago. Galia Linn, “note to self,” at Five Car Garage. Through Dec. 21. Through Jan. 12. 925 N. Orange Ave., Hollywood, deitch.com. clock. Julian Stanczak, “The Eighties,” at Diane Rosenstein Gallery. Tala Madani, “S--- Moms,” at David Kordansky. Sandy Rodriguez, Gold Sickness, Calafia and U.S. Through Oct. 27. 'La Dorada Ranch' is an exercise in dystopian imagination that reinterprets the island ofCalafia in 2060, through real estate development and community ofWomen's retreat. “Air Land Sea IX: Zepp,” 1970, by William Richard Crutchfield, from the late Los Angeles artist’s exhibition of prints at the Norton Simon Museum. What does that mean? A 1955 KVN TV set from the former Soviet Union, in “Watching Socialism” at the Wende Museum. The Los Angeles sculptor and installation artist is debuting a new series of works inspired by shifts in her body and mind after turning 50. (Vincent Price Art Museum Foundation and the Huntington Library). Through Jan. 5. Fonseca was known for his depictions of Coyote, a canine trickster who materializes in all manner of very human settings. “Nayland Blake’s Opening,” at Matthew Marks. Laura Krifka, “The Game of Patience,” at Luis De Jesus Los Angeles. Mely Barragán, Cyclical Warriors (2018); Laser cut on painted plywood, rotating motor; Courtesy the artist. 2019 CALAFIA: Manifesting the Terrestrial Paradise, MexiCali Biennial, The Armory Center for the Arts, Pasadena, California Also on view are works by the late Abstract Expressionist Philip Guston, who in his later years, became known for delving into figuration and the grotesque. Exhibiting Artists Need to cancel your holiday travel plans amid COVID? The Armory Show announced today details of the public programming that will take place Thursday, March 7, through Sunday, March 10. In the early 1960s, photographer Gordon Parks traveled to Brazil and photographed a poignant story about a young favela dweller named Flávio da Silva that highlighted issues of poverty and inequity in that country. Enid Baxter Ryce, Ghost Ships 2 (2019); Oil on linen, 33 x 30 in. “Refugee woman and three children in a canoe, Chiapas,” 1983, by Richard Cross, on view at L.A.'s Museum of Social Justice. This project, devoted to contemporary art made in and about Vietnam, takes several forms, including an exhibition, a program series and a related website. Julie Green, “Flown Blue,” at the American Museum of Ceramic Art. And it is the subject of this year’s public art triennial, organized by the City of L.A.’s Department of Cultural Affairs in collaboration with the Institute of Contemporary Art, Los Angeles. Contact626.792.5101information@armoryarts.org, Armory Center for the Arts145 North Raymond AvenuePasadena, California 91103, Javascript must be enabled for the correct page display. Special thanks to California State University San Bernardino, Betsy Greenberg, and to the friends and supporters of the MexiCali Biennial. This broad survey brings together a wide sample of European, English and American wallpapers dating back to the late 18th century — including loaned samples from Zuber & Cie in France, the oldest extant manufacturer of wallpaper in the world. In the 1960s, before she was known as the artist of high-profile feminist works such as “The Dinner Party,” Chicago was producing painting and sculpture in a much more minimal vein. This new series is all about the lunar. And in the latter years under communist rule, TV networks introduced advertising — a capitalist conceit that was molded to socialist need. “Just Breath,” 2019, by Pamela Smith Hudson at the Chimento Contemporary. “The Foundation of the Museum,” at the Museum of Contemporary Art. But reality was more complicated. Invited speakers are Ian Philbaum, Program Director of Innovation Law Lab and Lilian Serrano, Coordinator of Alianza Communitaria and Research Coordinator for the National Latino Research Center, California State San Marcos. 6522 Hollywood Blvd., Hollywood, welcometolace.org. pin. Through Oct. 19. Review: ’76 Days’ takes an emotional look inside Wuhan hospitals during the COVID-19 lockdown. The organization is migratory in nature and showcases exhibitions on both sides of the border. Gabriela Ruiz, “Full of Tears,” at the Vincent Price Art Museum. 1700 S. Santa Fe Ave., #160, downtown Los Angeles, nicodimgallery.com. 4700 Western Heritage Way, Griffith Park, Los Angeles, TheAutry.org. Through Oct. 19. The Los Angeles artist, known for her ribald depictions of middle-aged men and babies (and baby men) wreaking all manner of havoc (bodily and otherwise), is presenting a new series of paintings and videos. This event is supported by Caltech as part of the Visual Culture Program. The MexiCali Biennial is a contemporary visual arts organization which focuses on the border between California and Mexico as a region of aesthetic production. “Blow Up #19,” 2018, by Sadie Benning, in “The Light Touch” at Vielmetter Los Angeles. The installation, which will feature a new vocal work by the artist, will also employ the storefront areas in ways that comment on questions of consumption and desire. Ernesto Neto, “Children of the Earth,” at Tanya Bonakdar Gallery. 3508 W. Washington Blvd., Arlington Heights, theunderground-museum.org. Irene Georgia Tsatsos Director of Exhibition Programs / Chief Curator, Armory Center for the Arts, Pasadena, CA Greater Los Angeles Area 500+ connections Through Nov. 2. “Indian Country: The Art of David Bradley,” at the Autry Museum of the American West. Drawn from the archives of the Wilson Centre for Photography in London, this exhibition features more than 100 seldom-displayed salt prints that hark back to the earliest days of photography. This exhibition gathers work produced by the artist during an eight-year period in the 1980s. Her work is on view at ‘CALAFIA: Manifesting the Terrestrial Paradise’, MexiCali Biennial, Armory Center for the Arts, Pasadena, USA, until 12 January 2020. “Following the Box,” at the USC Pacific Asia Museum. Through Nov. 16. The Getty Museum is showing Parks’ images, along with images by the Brazilian photographers who responded to Parks’ work. This exhibition brings together more than 250 objects, primarily drawn from the Getty’s collections, that look at the school’s founding principles, which are rooted in spiritual expression and the development of a curriculum that touched all forms of artistic practice. Expect to see battalions of militiamen, freed slaves, indigenous nobility, all drawing on the visual and material traditions of colonial art. Dan Barry, “The flowers must all fade fruits must decay,” at Luz de Jesus Gallery. Charles Gaines, “Palm Trees and Other Works,” and Philip Guston, “Resilience in 1971,” at Hauser & Wirth. Originally started as a project critiquing the proliferation of international and regional art biennials, it operates nomadically and may appear at any time and at any location. Lenz Geerk, “Mixed blessings,” and Celeste Rapone, “Future Amateur,” at Roberts Projects. Its exhibitions appear on both sides of the California/Mexico border through partnerships with arts institutions to showcase both emerging and established artists working in all media. Through Feb. 15. Mask-making workshops for kids will be held throughout the run of the show. Through Sunday. clock. This time around he is focusing on domestic scenes. “Where the Sea Remembers,” at the Mistake Room. 411 W. Colorado Blvd., Pasadena, nortonsimon.org. Through Jan. 26. Through Oct. 19. A group exhibition gathers works by 37 women artists who, over a span of 30 years, made prints at Francisco X. Siqueiros’ print-making studio, El Nopal Press in downtown Los Angeles. The Armory Center for the Arts, 145 N. Raymond Ave., Pasadena; (626) 792-5101, armoryarts.org. ; Courtesy the artist; Photo by Ricardo Guzman. Hood, an L.A. painter, is making his gallery debut with a series of canvases that layer landscapes, objects and figures — images that the artist harvests from his collection of personal photographs. This fall, the MexiCali Biennial brings Calafia: Manifesting the Terrestrial Paradise to the Armory. 1419 E. Adams Blvd, Central-Alameda, Los Angeles, mixografia.com. Audio equipment for Invasorix courtesy of JD Audio Visual. Drag Queen Storytime // Hora de Cuentos con una Drag QueenSaturday, December 14, 2019 // Sábado, 14 de diciembre de 201912 pm to 4 pm // 12 pm a 4 pmDrag performer Isabella Xochitl will read excerpts from the childrenâs book California the Magic Island by Doug Hansen for an all-ages audience. In 2016 she was an Artist-in-Residence at Arts Initiative Tokyo. Through Jan. 5. Director and co-curator of the MexiCali Biennial Ed Gomez will also give insight into the concept of Calafia. The Argentine artist has spent two months in residency at the museum working on a suite of drawings that parallel the brutal similarities between desert and ocean. In his first exhibition with the gallery, the New York artist is presenting a series of portraits inspired by collage: curious, cobbled-together figures that are composed of fragments of photos and advertising, but which Quinn renders painstakingly by hand. “13 Best Things to Do in L.A. Blake’s work has long explored the fuzziness of identity and sexuality, topics they have tackled in the form of actions and costume play. “Paroxysm of Sublime,” at Los Angeles Contemporary Exhibitions. Director and co-curator of the MexiCali Biennial Ed Gomez will also give insight into the concept of Calafia. A novelty candle that forms the word “LOVE” also serves as a point of inspiration for a series of small sculptures. Through Oct. 12. This provided plenty of inspiration for drawings and prints that dwell on the architectural and the industrial, images of trains, planes and buildings that were all reimagined as hybrids of each other. Through Oct. 12. L.A.’s new rules created lots of confusion. The show, which features more than 200 objects, many drawn from LACMA’s collection, examines the use of animals as zodiac symbols, in folklore and the natural world. “Concrete Vessel 55,” by Amir Zaki, in “Empty Vessel” at the Frank M. Doyle Arts Pavilion. “Gifted: Collecting the Art of California at Gardena High School 1919-1956,” at the Hilbert Museum of California Art. The Los Angeles artist is known for assemblages he crafts from found objects that he embeds into large-scale armatures often dipped in cotton and white glue. As in other iterations of the biennial, there will be more to the show than the exhibition at the Armory Center, with satellite programming in Calexico, Mexicali and Tijuana. 6750 Santa Monica Blvd., Hollywood, regenprojects.com. In interviews with The Times, 12 people accused Magic Castle management, performers and others of abuses, as the legendary Hollywood club dedicated to the craft of magical performance wrestles with allegations and membership unrest. (Pamela Smith Hudson / Chimento Contemporary). This includes a new installation by Durazo, consisting of a Lamassu, the winged Assyrian deity (a symbol of power and protection), which will anchor a structure that will serve as a site of performance and lectures and other public events. 600 State Dr., Exposition Park, caamuseum.org. This exhibition marks that momentous occasion by looking at the era in which the museum was established, the roiling years after World War I. The MexiCali Biennial is a nomadic exhibition that takes places every two years (more or less) and brings together artists from both sides of the US-Mexico border. Museum of Latin American Art is selling dozens of works from its collection. It is the grain that shrivels in a year of drought. A group show features work by artists working in numerous modes of abstraction. Saturday, October 5, 2019 at 6:00 PM – 8:00 PM PDT. This show consists of a suite of 13 lithographs printed at the Tamarind Lithography Workshop in 1970. 812 N. Highland Ave., Hollywood, vsf.la. Chadwick Boseman, hero for the ages, is getting a posthumous MTV award. Betye Saar: “Call and Response,” at the Los Angeles County Museum of Art. Founded in 2006 by Ed Gomez and Luis Hernandez, the biennial showcases nomadic exhibitions that partner with arts institutions to showcase both emerging and established artists working in all media. Through December. 1010 N. Highland Ave., Hollywood, tanyabonakdargallery.com. Calafia: Manifesting the Terrestrial Paradise, MexiCali Biennial, Armory Center for the Arts, Pasadena, Oct 6, 2019 - Jan 12, 2020 Tunnel Below / Skyjacking Above: Deconstructing the Border, nGbK, Berlin, August 26 - October 1, 2017 PROJECT 51: Incendiary Traces, Pomona College Art Museum, Pomona, January 17 - May 14, 2017 Los Armijos, una familia mexicoamericana, han sido españoles, luego mexicanos y ahora ciudadanos de los estados Unidos, todo sin abandonar el estado. 5504 Crestridge Road, Rancho Palos Verdes, pvartcenter.org or onthesurface.design. Este evento terminará con una actividad dirigida por el bibliotecario del Condado de Orange David López. The Mexicali Biennial returns after 5years, as a master stroke of eminent curators who are ED Gomez also the director and co-president of the program, Luis G Hernandez, Daniela Lieja Quintanar and April Lillard Gomez. An open discussion for shared reflections around the present, past, and future narratives from the extended region now known as California, US and Baja California, MX. Armory Center for the Arts. Through Oct. 19. Through Nov. 3. Immigrant Detention Facilities, (2019); Hand-processed watercolor and gold leaf on amate paper; 11 1/2 x 15 3/4 in. Feng produces paintings that fuse the figurative and abstract to tackle the psychological states of women. Through Oct. 19. You’ll also be showcasing the MexiCali Biennial’s “Calafia Manifesting the Terrestrial Paradise” upcoming border interventions and exhibitions in collaboration with the Armory Center for the Arts. With support from the California Arts Council, Armory Center for the Arts will offer 40 Teaching Artist-led See Art Make […] 46 N. Los Robles Ave., Pasadena, pacificasiamuseum.usc.edu. Through Jan. 20. Gordon Parks, “The Flávio Story,” at the Getty Center. This led various Brazilian photographers to travel to the U.S. to photograph poverty here. Opens Saturday at 5 p.m. 125 N. Broadway, Santa Ana, grandcentralartcenter.com. 5130 W. Edgewood Place, Mid-Wilshire, davidkordanskygallery.com. How do you feel the Biennial is helping to focus attention on the region and support it? 145 N. Raymond Ave., Pasadena, armoryarts.org. (Ruby Osorio / Kleefeld Contemporary Art Museum). The audio is broadcast within the gallery space and to other exterior locations too. When will California’s stay-at-home order hit my community? Here’s what to look for. The MexiCali Biennial is a non-profit, contemporary visual arts organization that focuses on the area encompassing the California and Mexico border as a region of aesthetic production. First held in Mexicali, Mexico; this year Gomez and Hernandez were joined by curator Daniela Lieja Quintanar and the series of exhibitions opened at LACE on Hollywood Blvd. Read More Juan Bastardo, Haters Are Gonna Hate, the Pacific Coast Ungodly Giver in the Gold Rush... (2018); Mixed media sculpture, 48 x 96 x 11 in. As in other iterations of the biennial, there will be more to the show than the exhibition at the Armory Center, with satellite programming in Calexico, Mexicali and Tijuana. Sábado, 5 de octubre de 2019 de 18:00 a 20:00 PDT. For almost four decades, the senior class at Gardena High School would come together to gift a work of art to their school — including pieces by notable California painters such as Edgar Payne and Maynard Dixon. Also on view will be sculptures that evoke elements of the urban environment. The MexiCali Biennial proudly presents The Island of California, a pop-up dinner event to be held at the Armory Center for the Arts.Inspired by the great warrior and sailor Queen Calafia and the mythical island of California, the dinner will focus on fresh, sustainable seafood, as well as plant-forward produce. Through Nov. 3. Elyse Pignolet, “You Should Calm Down,” at Track 16 Gallery. The MexiCali Biennial is a non-profit, contemporary visual arts organization that focuses on the area encompassing the California and Mexico border as a region of aesthetic production. The Los Angeles artist employs paper and panel to create large-scale abstract works that evoke topographical landscapes. 1925, in “Bauhaus Beginnings.”, Maynard Dixon’s 1931-32 canvas, “Men of the Red Earth.”, (Gardena High School Class of Summer 1944 / Autry National Center of the American West,). The first is an exhibition of recent work by Geerk, a German painter known for bringing a disquieting intensity to portraiture, landscape and still lifes. In her work, she examines colonial legacies and the roles people play in systems and institutions of power. Through Oct. 19. This fall, the MexiCali Biennial brings Calafia: Manifesting the Terrestrial Paradise to the Armory.Exhibiting Artists Juan Bastardo, Chelle Barbour, Mely Barragán, Miguel Buenrostro, Chris Christion, Cogâ¢nate Collective, Abigail Raphael Collins, Yutsil Cruz, Nikki Darling & Dean Erdmann, David de Rozas, Melora Garcia, Invasorix, Maya Mackrandilal, Hillary Mushkin, Chinwe Okona, noé olivas, Jeniffer Pereda, Adee Roberson, Mónica RodrÃguez, Sandy Rodriguez, Julio M. Romero, Enid Baxter Ryce, Timo Saarelma, Paulina Sánchez, Jessica Sevilla, Amanda Trager & Erik Moskowitz, Diane Williams, Kim Zumpfe, Must-See 2019 Fall Exhibitions in Los Angeles (Hyperallergic)Datebook: A cross-border show inspired by a mythical California of woman warriors (Los Angeles Times)Visions of California That Donât Begin or End at the Border Wall (Hyperallergic) Looking at California and Mexico From Indigenous Perspectives (Hyperallergic). “ Call and Response, ” 2018, by julie Green, “ Moon! Move follows other lawsuits against Netflix related to her ongoing project of the la Plaza Church... Light Touch ” at the Tamarind Lithography workshop in 1970 of militiamen, slaves... Hotels and other travel providers California palms from Palm Canyon near Palm Springs Gaines... At Bemis Center for the many related programming and events is focusing on sobriety ’ supported by Caltech part! 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